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article last updated on
10.14.2010 | printer-friendly
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Introduction
High Definition Television (HDTV) introduced us to a
whole new world of visual clarity. The HDTV picture is so
clear, so detailed, and so pristine that it begs for a matching surround
sound experience... one that is equally
immersive with its ability to capture the heart-pounding dynamics of
an action movie to the more
subtle nuances of a quiet moment in a romantic movie. To answer the call,
Dolby
Laboratories and DTS, Inc. have
offered their own solutions, known as Dolby
TrueHD and DTS-HD Master Audio respectively.
Both of these new
surround sound formats offer:
-
100% lossless encoding that matches the
original high quality studio master bit-for-bit for an unmatched
surround sound experience.
-
Up to 7.1 channels of surround sound, with two
additional back channels placed directly behind the audience for
a thoroughly immersive surround sound experience.
-
Complete artistic control over the
down-mixing of multi-channel surround sound, enabling the
movie director or soundtrack mixer to specify how a 7.1-channel
surround sound mix is down-mixed to 5.1-channel or even
2-channel home theater configuration. So no matter your
loudspeaker configuration, you
always get the mix that the creative team intended.

7.1-channel surround sound
home theater system
(picture courtesy
of
DTS)
The end result is that either of these two surround sound formats can
offer an acoustic experience that matches the jaw-dropping visual experience of high definition TV. We will talk about Dolby
TrueHD and DTS-HD Master Audio in turn,
then discuss how you can enjoy these new high definition surround
sound formats in the new Blu-ray Disc optical
media format and the audio/video equipment
that you would need.
Dolby TrueHD
Dolby
TrueHD is Dolby Laboratory's state-of-the-art version of high definition
surround sound that supersedes the
Dolby Digital
5.1-channel and
Dolby Digital Plus
7.1-channel surround sound formats. Dolby Digital is the
most popular surround sound format, prevalent on DVDs, HDTV over-the-air
broadcasts, broadcast satellite, and of course cable network
digital channel offerings. While Dolby Digital is good,
Dolby TrueHD is leaps and bounds better in every way imaginable,
as summarized in the table that follows. Key parameters
of
Dolby Digital vs. Dolby TrueHD
| |
Dolby Digital
(DVD) |
Dolby TrueHD
(Blu-ray Disc) |
Lossy / Lossless
compression |
Lossy
(sounds like the original studio master recording) |
Lossless
(identical to the original studio master recording, bit-for-bit), based
on MLP Lossless technology |
|
Maximum number of channels |
6 |
8 |
|
Typical channel configuration |
5.1 |
7.1 |
|
Maximum data rates |
384
Kbps,
448
Kbps |
up to
18 Mbps |
|
Frequency sampling rates |
44.1 kHz,
48 kHz |
48
kHz,
96 kHz,
192 kHz |
|
Sampling word lengths |
16-bit |
16-bit, 24-bit |
|
Year introduced |
circa 1996 |
circa 2005 |
Lossy / Lossless: Dolby
Digital uses a lossy compression algorithm to encode and pack the
audio information into a DVD audio track or a broadcast bitstream.
Lossy means that mathematically, the playback does not replicate
bit-for-bit (the 1's and 0's of digital data) the original bitstream
that was encoded. Through the science of psychoacoustics and
noise shaping, Dolby Digital encodes the essence of the surround
sound information. Because of the data limitations, some audio
fidelity is lost with lossy encoding. In contrast, Dolby TrueHD
uses a lossless encoding algorithm based on MLP Lossless technology, used in
the
DVD-Audio format for
multi-channel music. Lossless means that mathematically, the
playback is able to re-create the original digital studio master
recording bit-for-bit. That means the audio information is
pristine. In playback, we get everything that the audio
engineer produced, literally down to the last digital bit. And
that is as good as it gets! Number
of channels & typical channel configuration: Dolby Digital can
support up to 6 channels in a 5.1-channel configuration. That
is "5" full-frequency channels and one low frequency effects ".1"
channel. Dolby TrueHD expands this to a maximum of 8 channels,
adding two additional full-frequency channels for a total of "7" +
".1" low frequency effects. Of course, the Dolby
TrueHD decoding process
can down mix the 7.1-channel soundtrack to playback for 5.1-channel
home theater setup. Maximum
data rates: Because the Blu-ray Disc format affords greater data
capacity, Dolby TrueHD soundtrack can use a data rate of up to 18
Mbps for just the surround sound information. That is about 40
times the data rate for Dolby Digital on DVD. As you can see,
that is a phenomenal leap in the amount of information that can be
captured using Dolby TrueHD. What does this do for us?
Higher data rates mean higher
frequency sampling rates and longer
sampling word lengths, as
described below.
Frequency sampling rate:
A higher frequency sampling rate means that the sound in all
frequency ranges will be encoded with more accuracy. In
everyday terms, the playback soundfield will be more realistic
and natural. In particular high-pitched sounds within the
audible spectrum with improve in tonal accuracy.
Sampling word length: Going
from 16-bit word length to a longer 24-bit word length means that
more dynamic range can be recorded. Dynamic range refers the
variations of loudness (without changing the playback volume) that
spans from the loudest crescendos of music and an action movie
explosions to the softness of a subtle nuance emanating from a
supporting musical instrument and the whispers in a romantic movie.
While Dolby TrueHD is an optional surround sound format on the
Blu-ray Disc format, it is very
popular and is offered on many Blu-ray Disc titles.
DTS-HD
Master Audio DTS-HD Master Audio is a
high definition surround sound format alternative to Dolby TrueHD.
It is DTS Inc.'s version of Dolby Laboratory's Dolby TrueHD.
Surely, there are technical differences, but from an everyday consumer
standpoint, they are more alike than different. DTS-HD Master
Audio is state-of-the-art, offering 7.1-channel surround sound that
is bit-for-bit identical to the original digital studio master
recording. It is available on select Blu-ray Disc titles. Key parameters DTS
Surround Sound vs. DTS-HD
Master Audio
| |
DTS
Surround Sound
(DVD) |
DTS-HD
Master Audio
(Blu-ray Disc) |
Lossy / Lossless
compression |
Lossy
(sounds like the original studio master recording) |
Lossless
(identical to the original studio master recording, bit-for-bit) |
|
Maximum number of channels |
6 |
8 |
|
Typical channel configuration |
5.1 |
7.1 |
|
Maximum data rates |
754
Kbps,
1.5 Mbps |
up to
24.5 Mbps |
|
Frequency sampling rate |
48 kHz |
7.1-ch: 96 kHz,
2.0-ch: 192
kHz |
|
Sampling word length |
16-bit |
16-bit,
20-bit,
24-bit |
|
Year introduced |
circa 1997 |
circa 2006 |
Which is Better: Dolby TrueHD or DTS-HD Master Audio?
To the consumer, it no longer matters as it once did when the
DVD-Video format was first introduced and the surround sound
format "war" was between
Dolby Digital and
DTS Surround
Sound. Because both Dolby TrueHD and DTS-HD Master
Audio are lossless formats that replicate the original studio master bit-for-bit and offer up
to 7.1 channels of surround sound, both formats offer
unprecedented, jaw dropping surround sound experiences.
Blu-ray Movies
Featuring Dolby TrueHD or DTS HD Master Audio
Many first-rate action movies released on Blu-ray Disc come with
either the Dolby TrueHD or DTS-HD Master Audio, depending on the
studios' preference. Some of the movies with the finest Dolby
TrueHD or DTS-HD Master Audio surround sound mixes include:
 ![Star Trek [2010]](http://ecx.images-amazon.com/images/I/51RfGsmoLVL._AA115_.jpg)
Some great Blu-ray Disc movies featuring Dolby TrueHD
 
Some great Blu-ray Disc movies featuring DTS-HD Master Audio
What Equipment Do I Need to Enjoy These New High
Definition Surround Sound Formats?
As with most things in electronics, to fully enjoy
the new Dolby TrueHD or DTS-HD Master Audio high definition surround
sound formats, you will have
to invest in some new equipment. To enjoy the high definition
picture, you must have a high definition TV (of course). But
from an audio equipment standpoint, here are some options in how you
can take advantage of the 7.1-channel Dolby TrueHD or DTS-HD Master
Audio soundtracks from Blu-ray Disc
media:
Option 1 (Preferred). Blu-ray
Disc player and an AV receiver both with Dolby TrueHD and DTS-HD
Master Audio decoding built-in: If your equipment is new,
you only need to hook them up with an HDMI v1.2 cable (HDMI v1.3
recommended, minimum):
(a) a Blu-ray Disc player that decodes Dolby TrueHD and
DTS-HD Master Audio;
(b) a 7.1-channel AV receiver with Dolby TrueHD and DTS-HD
Master Audiodecoding;
(c) a single HDMI v1.2 cable (HDMI v1.3 recommended, minimum) to hook up the Blu-ray Disc player to
the AV receiver to pass both the video and multi-channel audio
information;
(d) a second HDMI v1.2 cable (HDMI v1.3 recommended, minimum) to
hook up your AV receiver to your HDTV to pass the video signal.
(e) seven full frequency loudspeakers (or five for 5.1-channel
configuration) and an optional subwoofer for
the "0.1" LFE channel; Option 2. AV
receiver does not have Dolby TrueHD or DTS-HD Master Audio
decoding: If your equipment is a little older but still
offers 7.1-channel analog inputs, you can make use of this AV
receiver by:
(a) a Blu-ray Disc player that decodes Dolby TrueHD and DTS-HD
Master Audio, and outputs the 7.1-channel surround sound signal
as analog audio outputs.
(b) a 7.1-channel AV receiver with 7.1-channel analog audio
input;
(c) eight analog audio interconnects to hook up the Blu-ray Disc player's
7.1-channel analog outputs to the AV receiver's 7.1-channel
analog inputs;
(d) an HDMI v1.2 cable (HDMI v1.3 recommended, minimum) to hook
up your Blu-ray Disc player to your HDTV to pass the video
signal.
(e) seven full frequency loudspeakers (or five for
5.1-channel configuration) and an optional subwoofer for
the "0.1" LFE channel.
Option 1 is the preferred option for better
audio quality, as it keeps the audio signal in the digital
domain (which is not plaque by analog signal degradation) until
it reaches the AV receiver where the digital audio signal is converted to analog
audio signals
for amplification and driving the loudspeakers. If you have a 5.1-channel system, you
can still get great results with your existing 5.1-channel
configuration, as the AV receiver will down mix the 7.1-channel
program to 5.1-channel.
What if you cannot upgrade your equipment right away? With
a Blu-ray Disc movie and a Blu-ray Disc player using just the
stereo analog audio output, you will notice the higher quality
sound using just a stereo if it is amplified by a stereo
receiver and played through loudspeakers. If you do not have at least a
stereo receiver and dedicated loudspeakers, you are not likely
to hear any difference in sound quality compared to DVD, let
alone a missing out on the surround sound experience.
Configuring your 7.1-channel surround sound
system
The last step is to set up your loudspeakers in the new 7.1-channel
configuration. For this, we encourage you to read the
Dolby Laboratories and
DTS Inc. information on loudspeaker layout and
configuration. For an acoustically balanced soundfield, do
consider buying the identical loudspeakers when adding the two new
surround back channels. If it has been years since you bought
your loudspeaker system and your loudspeaker line has been
discontinued, at least consider a similar line within the same
manufacturer or one that is at least similar is design and
construction. The newer AV receivers offer automatic
calibration with a microphone and will digitally compensate through
equalization for differences between loudspeaker characteristics.
If you are not ready to invest in two additional surround back
channels, staying with your 5.1-channel will still yield awesome
results. Enjoy!
Additional Info: Proper
setup/connection of equipment and placement of surround sound loudspeakers are key to getting
the most out of any surround sound systems. For a more detailed
discussion of these topics, try the following links:
Did
you find this high definition surround sound overview helpful? Let us know your
thoughts, send an e-mail to us at Staff@TimeForDVD.com.
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